What Is the Attraction to Crows and Ravens in the Art World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you lot've ever taken an art history course or spent time in a fine arts museum, chances are y'all know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros learn most art history today notwithstanding centers on white men from Europe and, subsequently, the United States. In reality, in that location are and then many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a wait at just some of the women who have had lasting impacts on their art forms. From some of the fine art world'southward virtually iconic pioneers to its near unsung heroes, these women artists all had a manus — and, in some cases, still have a hand — in irresolute the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring'due south portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. After studying the work of painters similar Cézanne and Monet while abroad, she returned to the Usa, condign best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman'south Untitled Film Stills (1977–eighty). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps virtually well known for her series of Untitled Film Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of diverse generic female person moving-picture show characters, amongst them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and commonage identities.

Yoko Ono

A still from the functioning Cut Slice, 1964, and a picture of the installation One-half-A-Room, 1967, equally seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

Yous might first think of Yoko Ono as a musician and activist, but she'due south also an accomplished operation and conceptual artist. Ono was considered a pioneer in the functioning art move, earning the nickname the "High Priestess of the Happening".

One of her most revered works, Cut Piece, was a performance she beginning staged in Nippon; Ono sat on stage in a dainty suit and placed scissors in front end of her, and, in an human activity of daring vulnerability, invited audience members to come on stage and cutting away pieces of her clothing. "Art is similar animate for me," Ono has said. "If I don't exercise it, I start to choke."

Betye Saar

Betye Saar's Black Girl'south Window, 1969 (total and item). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was part of the Black Arts Motion in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If you tin can become the viewer to look at a piece of work of art, and so you might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to discover someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from United mexican states, she is best known for exploring themes like death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs within the Backwash of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, only she's also known for her hyper-real sculptures, polka dots, installations, and and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Quondam Commencement Lady Michelle Obama (Fifty) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the starting time Black woman to complete a presidential portrait for the Smithsonian'due south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Reddish With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you lot likely acquaintance Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, only maybe, the skyscrapers of New York City. In the 1920s, she was the kickoff woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Gilt King of beasts for best artist in Okwui Enwezor's biennial exhibition All the World'south Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her work to question society, identity, and racial politics past demanding the audience to confront truths about themselves. She often challenged people on the streets of New York to judge her race, socio-economic class, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'southward poses in front of a photo in her exhibition Our Firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, flick, and video work, much of which explores the relationship between Islam'southward cultural and religious systems and women. Moreover, Neshat's works frequently create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

Every bit a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on ad billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity as meditations on various concepts, such as trauma, knowledge, and hope. One of her more notable works, I Odour You lot On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'south fine art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe creative person, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilization. In 2005, she was the offset Indigenous woman to stand for Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is amend known for her installation fine art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual fine art were the principal styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Trivial Taste Outside of Love, 2007. Photograph Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures inside the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the role of women in history and civilisation — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art programme in the The states.

Augusta Savage

Augusta Fell with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years after, she became the showtime Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just look up her about famous work, Interior Ringlet, and you'll see what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of large-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. However, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Diverse hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's terminal public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and mural photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Impact Accolade at the Indiecade Festival in 2020 and the Creative Accolade from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate alter.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who as well specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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